![]() I plan to do a rough edit to remove the fluffs, coughs, etc., while retaining the essential meaning in the technical material (which I don't expect the "real" editor to understand) and then hand it off to them to clean up, add titles, transitions, whatever and publish. The three audio inputs are for the three different locations). So there are two head/shoulders cameras, one on a whiteboard, and one source is actually screen capture. Never got to rest of instructions because they fail on step 2Īnyone care to elaborate on this or suggest a better way? As is Shotcut is unusable even for the simplest things.I have all these tracks in my source material (it's unscripted, but loosely outlined, teaching material. But its missing all the transitions and filters and thus cannot be edited. If they are not there to edit in the mp4 then whats the point? Yes I dragged the mp4 down and got a timeline. The whole reason for doing this is because those transitions are causing extreme choppy video. When you open the -proxy.mp4 in shotcut you have no timeline with all your transitions and stuff. When finished, copy the project-proxy.mlt to other name and use a text editor to remove the “-proxy” references in the mlt file Use the *-proxy.mp4 files while editing your video within Shotcut and save a project-proxy.mlt file as usual.With Shotcut, Avidemux or other similar tool convert the source videos to something named file_name-proxy.mp4 with a resolution 640x360 for 16:9 aspect ratio videos.dll/.so/.dynlib if needed, so if anyone from Shotcut team wants I can offer this as a contribution, but if not, just please use it until native proxy lands in Shotcut. I could even turn it into a plugin for bundling, could be. It is open source and in Free Pascal so can be compiled for every platform supported by Shotcut. I keep developing this so it becomes more and more functional in the context of working with Shotcut. LRV clips to MyProject/proxy, but rename them from. ![]() LRV (Low Res Video).Ĭreate Shotcut project in its own folder “MyProject”Ĭopy all original GoPro clips to MyProject/clipsĬopy all. The copies have same name as the original but with a different extension. So GoPro cameras automatically register low resolution copies of the footage you record with them. This suggestion comes from a workflow I’ve made for myself, so please let me start with this. Proxy files - different approach from my workflow with GoPro footage Suggestion Imade another post on this forum where I also mentioned this tool: So for editting you do everything on low-res clips, then you close your project, in my tool switch all clips to hi-res versions, reopen in shotcut and render. Then you can use mouse right click popup menu to switch between Hi resolution and Low resolution version sof your clips. If you need, you can alternatively import clips from a folder instead from a mlt file. From the list of clips I can then render proxy files (best use the “same res, but LQ” setting because some filters produce different outcome if clip resolution changes). I start it and go directly to “MLT Proxy” tab, then load my. So I created this utility I use with all my shotcut projects, which is an interface around ffmpeg, avvailable here, for free, open source too: front4ffmpeg I am working almost exclusively in Shotcut on Linux for my videos since the beginning of this year, and the proxy functionality was something I needed. Guys, I want to share a tool with you for proxy with Shotcut.
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